Showing posts with label music video. Show all posts
Showing posts with label music video. Show all posts

Monday, August 15, 2011

The Gayest Ever

I was watching Family Guy last night and they said that the video below was the gayest video ever made. So I looked it up on YouTube and they were right. It's the gayest. Behold!


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Saturday, March 19, 2011

Friday, Saturday, Sunday, Monday, etc.

What we have today is a video. It's a video that is without splick. That is to say, it is inexplicable. Actually, the video itself isn't so bad. It's the song that accompanies said video that I'm having a problem with. And it could be that I just don't get it. I'm not dismissing any possibilities. But I really think that I am being fairly accurate when I say that this might be one of the biggest piece of crap songs that I have ever heard in my life and I cannot for the life of me understand how in the world the video has garnered over 19 million hits on YouTube AND has made it into the top fifty downloads on iTunes! Since Blogger is being super fabulous this evening and may or may not be letting me put up the video (check at the bottom of this post to see if it's here), you might just have to click on the YouTube link above to check out this atrocity. I'll wait.

Are you back? How are your ears? Have you stabbed them out with sporks yet? The chick singing is a one thirteen year old Rebecca Black. And that brings me to some of my questions. (Trust me, there isn't enough room here for all of my questions.) Question one: Why does she feel to sing a song that is basically telling us the days of the week and the mundane-mess of her days? And in such a matter of fact way. She gets up. She goes downstairs. She eats cereal. And then comes the real pickle of her day...trying to make that gut wrenching decision as to whether she should sit in the front seat or the back seat! Then comes our lesson on the days of the week. Well, most of them. Thursday comes before Friday. After Friday is Saturday. After Saturday is Sunday. Thank God that her week in her song only seems to have four days as I don't think that I could have stomached hearing about Monday, Tuesday and Wednesday! Seriously, I've heard songs that were basically about nothing, but this takes nothing-ness to a whole new level.

But wait! There's more! Suddenly, right in the middle of this debacle, a 30-year old rapper (for some reason) pops up in the middle of the video and begins his own matter-of-fact lyrics about absolutely nothing. Then after he's done, it's back to the thirteen year old white girl to continue singing about how it is Friday and "We so excited...We gonna have a ball today." Painful lyrics and poor grammar. Fabulous. What's with the rapper? What's he driving? Why is he having anything at all to do with a little 13-year old white chick? He seems to be chasing down the middle schoolers in the bus so that he can party it up with them. Why? Because it's Friday, that is correct.

I can only assume that this is some sort of quest to try to find the next Justin Bieber or something like that? I don't know where else this chick came from, nor do I particularly care. I wish that she'd go back there and take her song with her, though. And I don't necessarily care what day of the week that she does it on. She doesn't even need to sing to me about it. Even though she probably would and it would probably go something like this: "And Mary didn't care for me or my little song. So I went back from whence I came. My song was never played again. Not even on Friday. Or the day after that, which happens to be Saturday. Or the day after that, which I will tell you is Sunday. Now I am going to go upstairs to my room and never come out again. I don't know what to tell you about the rapper. My Dad wants to hurt and maim him, though. I think I smell biscuits."


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Thursday, May 13, 2010

Single Children Put Some Clothes On It

The video below disturbs me in more ways than one. Don't get me wrong. I'm not against showing a little skin. It's not like I'm a member of the FLDS or anything like that. Skin is good. Let me rephrase that. Adult skin is good. Why must people insist on letting their children parade around like hooker-ific pole dancers? It's not attractive. It's disgusting and disturbing. Seriously, folks. When allowing your small children to re-enact Beyonce's "Single Ladies (Put A Ring On It)" (a fabulous little ditty, by the way), I think that the rule of thumb should be that they have to be wearing at least as much clothes as Beyonce was wearing. Would that be so bad?

Actually, now that I think about it, I have a couple of rules I'd like to implement. We've already gone over the first one, you must be covering the same ratio of your body as Beyonce is covering hers. Rule number two: Do not dress your children (especially those whose ages appear to still be in single digits) in something that a horny boyfriend would buy for his girlfriend after stopping by a 7-11 on his way home on Valentine's Day. What in the world are those girls wearing? I didn't know that you could get five dollar hooker outfits that small. If I can't see Beyonce's midriff, I don't want to see your seven-year old girl's midriff, either. Got it? For God's sake, I hope so.

Rule number three: If you do not have anything to shake, please don't try to shake it anyway. Clearly, these girls are not quite at the breasticle stage yet. There's nothing to shake. And that's FINE!! Yet, there they are, shaking their money makers when they don't even have change, let alone real money.

Rule number four: This one pertains mainly to this example only. The song basically talks about if some dude likes what he sees, perhaps he should "put a ring on it" if it's that important to him. Marry the chick, for cryin' out loud, is the message here. I don't know that you can have that message be spewed by little girls dressed in cheap lingerie who look as if they're all missing a brass pole or two. Seriously. Who are you people who are letting your kid do this and who are you people who are cheering these girls on?

Listen, the girls are talented. They have great dance moves. But why are they darn near naked? These are little girls! Where are their fathers? (Or their mothers, for that matter. But I'm really surprised that Dads would let their little girls prance around like that.) My Dad sure as hell would never have let me wear anything like that in public when I was eight OR when I was thirty, for that matter. I'd be a little afraid to wear anything like that now, lest he come back from beyond the grave and haunt me and my scantily clad booty for dressing like a ho. My brother (who is 3 years younger than me) is raising his step-daughter by himself (don't ask) and he's told her she's not dating until she's eighty. (He tells her that as he's cleaning his gun.) She certainly isn't walking out of his house looking like those girls do. She's kind of lucky he lets her walk out of the house at all (she's gonna be hot).

Seriously, why couldn't they have had on leotards or one piece swim suits or something? (After viewing that, I'm kind of leaning toward parkas, but they seem like they'd be rather bulky to dance in. See? I'm not unreasonable about the whole thing, nor impractical!) Why do they have to look like there is a midget hooker and pole dancer convention in town? Cover up your children when they're in public. Please. There's enough sexual exposure out there in all forms of media that they're going to be saturated with beginning at birth. Hypersexualizing the kids themselves by allowing them to parade their bodies in public when they are SEVEN years old can't lead to anything that's going to be great, I'll tell you that.

Again, I think that they're fabulous dancers. They're all very talented. However, the outfits that they are wearing are inappropriate and disturbing. And do you know what would have happened if they had wore outfits that were just a touch more modest (ie, I'm not looking at a 7-year old's belly button)? The ONLY thing that everyone would be talking about was how awesome the dance was. And that's how it should have been. Instead, the obvious talent that is there is lost and under-appreciated because all you can focus on is all of the sex that is there. It's sad, really. I can only hope that it won't be sadder for them as they get older.

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Sunday, May 24, 2009

Tuts My What?

I've been working on what should amount to a fairly decent post-American Idol post. This isn't it, but I am working on it. No, this post would entail merely a video that could be described as the anti-American Idol. The Bizarro-World American Idol. Lots of words come to mind, but none of them are "American Idol". I must give credit to whomever it is behind a little blog called what makes me... as I shamelessly lifted (without malice, nor permission) the video from over there.

I think it's the captions that give it the majority of its hilarity. Whatever it is, it amuses me. Greatly.

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Sunday, May 10, 2009

Mr. T. Says Happy Mother's Day In Song

Happy Mother's Day. Look, if I had some poignant words of wisdom for this day, I'd tell ya. I swear! I would. But I got nothin'. Not a thing. And I can admit that. No problem. Others, however, seem to not be able to come to terms with the fact that they don't have much to say. No, instead of admitting it and sticking with "Happy Mother's Day", they go on ahead and try to painstakingly compose an inspiring and tearjerking Mother's Day message, which ends up being not so much of any of those things. Who do we blame for this? Why, Mr. T., of course.

That's right. Mr. T. Mr. T of the A-Team. (Is everything in this man's life about initials?) In what would to be somewhere amidst the 1980s (judging from the techno/disco/transition-to-80s-music beat), Mr. T. of the A-Team starred in and voiced the words in a song that I suppose was intended to be a tribute to mother's, as well as an instructional piece for children who are arguing with their peers (and using rather humorous, childish, 1980s insults). The insults are all fine and in good jest, but then someone drags the other one's mother into it and suddenly, this little public service announcement or whatever we thought it was before that, turns into a musical number with great educational value after the disagreement between the kids is intervened by Mr. T.

The choice of actors for the bickering peers is an interesting one. There is a small black boy who appears to be quite short. Apparently, if something works in one situation, it's necessary that it be added to every other situation, regardless as to whether or not it makes sense. 80s TV, as you may or may not care to remember, seemed to think that the way to a show's success was the addition of a small black actor. Gary Coleman. Emmanuel Lewis. Benson. It's the same sort of theory that dominates any sort of reality competition show these days. Only instead of a short black actor, there is an acerbic, British judge.

Anyway, in addition to that actor, there is a large female to serve as the bitchy peer. If there was ever a short male actor in 80s TV, it was almost guaranteed that there would be an obnoxious, rotund, female who always spoke her mind and who always thought she was beautiful (even though she looked like she had just eaten an entire racetrack). She has the typical large bitchy female, short frizzy hair with a hairband of sorts and large, white, round, plastic earrings. She has a round full face and is frequently seen with her hands on her hips, looking down as she towers over her antagonist and hurls insults at the little, little man.




It goes something like this:

Big Girl: Well, you couldn't be more than five.

Gary Coleman: Oh, yeah? You're so fat, they have to jack you up to take off your shoes.

Big Girl: Yeah? Well, you're so skinny, you're eyes are in single file.

Webster: Well you're so ugly your EARS stick out to get away from your FACE!

Big Girl: Well your Mama is so.....

Mr. T.: Wait a minute! Wait a minute! (Missss-ter T to savethedaaaaaaayyy!!) Don't bring anyone's mother into this. She ain't here. (Oh, sure. If she were there, THEN it would be perfectly OK to get out those 'Yo Mama' jokes? I kinda wish he had let her get off just ONE. Maybe it would have been my favorite! "Yo Mama'sso fat they had to paint a line around her so you could tell if she was walking or rolling. He-hee. Still funny.)

Mr. T.: And if it wasn't for your mother, you wouldn't be here. So remember, when you put down one mother, you're putting down mother's all over the world. (He got that from not having her be there when the insults were about to fly? Huh. Interesting)

Of course, right after that last word of wisdom, the boy and the girl look at each other with that Scooby-Doo head tilt and a look on their faces as if they have just heard the most magical words ever. They nod in agreement at his sage wisdom which shoots out from those glittering gold chains and medallions (the purpose of which I don't believe has ever been disclosed, other than perhaps to draw one's attention away from the mohawk) and then they exit stage left, the girl with her hand on the boy's shoulder and a smile on her face, as she's going to eat him for lunch when they're out of the camera shot.


We get this great shot at the beginning, right when the beat starts to be heard. There's Mr. T. in his denim shorts that are so short I'm pretty sure he must have come straight to this studio directly from shooting a Nair commercial. He also has the knee high, striped sweat socks, large tennis shoes and the traditional sleeveless black shirt or sweater vest (it's really hard to tell with all of those chains on). In the background are his do-wop girls. Only they appear to have been recruited from a temp agency that hires out secretaries. What the hell is that? There's a long skirt with a shiny belt. There are women's Dockers with the long sleeve shirt which sports the puffy lace cuffs and the velour collar. You know the kind. And then there's the dark slacks, dark jacket ensemble. All are sporting comfortable flats and a hairdo which involves feathering and/or a perm. They're doing the two step white man's shuffle and hand/arm gestures that they have clearly remembered from the days when they were on the cheerleading squad back in high school. . And because there's three of them there are naturally only two microphones on stands. I don't know why they just don't spring for the third mike. What does that accomplish? Having velour-collar go back and forth? Is it a guy thing? Two girls that close together, guys think they're going to kiss? Is that it? It must be. There's no other explanation for it.Just as there is no explanation for this whole video.



And it begins with the cheerleaders singing the chorus, "Treat her right. Treat your mother right." That melodic composition is repeated in that typical 1980s chorus/backup singer tune.(Trust me, you'll know it when you hear it.) Meanwhile, Mr. T., completely unaware that people all across the globe will be able to see this atrocity years in the future thanks to an as-then uninvented technology called 'The Internet', tries to stay with the beat, mimic the cheerleaders moves and then 'sing'. I've quoted 'sing' because it's Mr. T., for cryin' out loud! I don't really know what to call it, it's barely grunting to music, but it's definitely NOT singing, I know that.

The video of this musical number is below, but I just have to spell out the lyrics here so that you get the full effect of what an odd Mother's Day tribute this little ditty really is.

Mother. There is no other. Like mother. So treat her right.
Mother. I'll always love her. My mother. So treat her right. Treat her right.

M is for the moans and the miserable groans
from the pain that she felt when I was bone (
that's the Mr. T. way of saying 'born' so that it rhymes with 'groans and moans'. Clever, eh? Good Lord...)

O is for the oven with the burning heat
Where she stood making sure I had something to eat
(So now his mother is slaving away in a kitchen. Nice.)

T is for the time when she stayed up at night
and took my temperature when I wasn't feeling right.

H is for the hard earned money she spent
to put clothes on my back and tries to pay da rent
. (I'm not so sure it was the 'clothes' that she bought for you that made it hard to 'pay da rent' as much as it was all of those gold chains.)

E is every wrinkle I put on her face
and every worry that I caused when I stayed up late. (
Now you've withered the woman into the likeness of a Shar-pei.)

The last letter R is that you taught me respect
and for the room up in heaven that I know she will get. (Good way to end the song about your mother! By throwing out the reminder that she's gonna die one day. Yep, she'll be dead!)

She's agreeing second to none
Take care of mother, you only get one.




Then as the chorus is repeated a few times, the camera shows several different scenarios which are supposed to represent the typical ways that kids interact with their moms. There's the giving her the fake box of candy that a big snake jumps out of when she opens it. There's the tandem bike ride through the park. And opening the door to Mom's convertible for her. There's the kissing her on the cheek with your mouth full of food. And helping Mom carry in the groceries. And who could forget giving Mom a shoulder rub while still wearing your batting gloves from baseball practice earlier in the day? Not me, that's for sure!

And the final shot is of someone (I can't tell if it's a guy or a girl. There's too much big hair. There's too much big headband. There's too much one long dangly earring. And there's too much looking like New Kids on the Block which kids in the 80s did regardless as to whether they were male or female. I just don't know.) who clearly is on the way to join in a Jane Fonda workout video shoot (just as soon as they find their missing Reeboks and striped leg warners). This person looks into the camera and suggestively says (with this sly, all knowing look), "Be somebody!" Huh?



Be somebody? Like who? I thought this was about mothers! Are we supposed to be mothers?! I don't wanna! No, serioiusly, I do NOT! Besides, this is geared to be directed at children. You can't be suggesting that children 'be somebody' by being mothers! I don't care if it is Mother's Day! It's just not right!

See? That's why, if you can't think of anything poignant to say on Mother's Day, you're better off either saying nothing or just getting a card. If you try to piece a bunch of words together, who knows how it could come out? You might end up just like Mr.T. did there and start suggesting that children get pregnant. What a PR nightmare that must have been. No wonder he didn't go farther in his career!

Happy Mother's Day.

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Wednesday, July 2, 2008

Dogs, Vikings, The 70s, What Could Go Wrong?

More from the world of "How could anyone ever have thought that was a good idea?" When dogs and vikings just aren't enough, add some music and a guy named Thor. Wait. Strike that. First, take the Canadian "metal God" Thor. THEN add some dogs. THEN make sure that it's 1977 when you do all of this. And you know what you'll have when you're done? That's right. You'll have the music video, "Keep The Dogs Away", by the Canadian metal "God", Thor. (It hurts my eyes to watch it for very long.)



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